ISSN 2394-5125
 

Research Article 


THE ARCHITECTUAL SOUL IN THE BODYOF MICHELANGELO ANTONIONI'S FILMS:SHORTREVIEWONHISTRILOGY: L’AVVENTURA (1960), LA NOTTE (1961), AND L’ECLISSE (1962)

GELAREH HAJMOUSA.

Abstract
In realistic films, the architecture of the cinematic exploitation can be seen. In this regard Antonioni's films has an
exceptional place. His films point and desire to create a cinematic experience through the use of filming techniques
due to the interplay between architecture and the characters. Antonioni, in his films, uses architecture to depict the
mental state of the characters, or perhaps as an arena for closure their logical inconsistencies and contrary
qualities.Three films: The adventure (L’Avventura, 1960),The night (La Notte, 1961),and The eclipse(L’Eclisse,
1962) are closely related to the concept and text and are known as the trilogy of the Antonioni. In all of these films,
director tries to link the process of emotional development of characters to their position in the film.The emphasis on
urban-industrial texture, the unusual story structure, the minimal role of dialogue, and in particular the movements
of the camera, which follow the unique methods of cinematic expression, all appear in his work.The
Antonionitrilogy are an example of a series of films that are suited to study the purpose of any study on a serious
approach to the question of the relationship between two types of substances and artistic creatures

Key words: Cinema, Architecture, Antonioni, The adventure, The night, The eclipse


 
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Pubmed Style

GELAREH HAJMOUSA. THE ARCHITECTUAL SOUL IN THE BODYOF MICHELANGELO ANTONIONI'S FILMS:SHORTREVIEWONHISTRILOGY: L’AVVENTURA (1960), LA NOTTE (1961), AND L’ECLISSE (1962). JCR. 2021; 8(2): 1629-1634. doi:10.31838/jcr.08.02.163


Web Style

GELAREH HAJMOUSA. THE ARCHITECTUAL SOUL IN THE BODYOF MICHELANGELO ANTONIONI'S FILMS:SHORTREVIEWONHISTRILOGY: L’AVVENTURA (1960), LA NOTTE (1961), AND L’ECLISSE (1962). http://www.jcreview.com/?mno=92550 [Access: July 03, 2021]. doi:10.31838/jcr.08.02.163


AMA (American Medical Association) Style

GELAREH HAJMOUSA. THE ARCHITECTUAL SOUL IN THE BODYOF MICHELANGELO ANTONIONI'S FILMS:SHORTREVIEWONHISTRILOGY: L’AVVENTURA (1960), LA NOTTE (1961), AND L’ECLISSE (1962). JCR. 2021; 8(2): 1629-1634. doi:10.31838/jcr.08.02.163



Vancouver/ICMJE Style

GELAREH HAJMOUSA. THE ARCHITECTUAL SOUL IN THE BODYOF MICHELANGELO ANTONIONI'S FILMS:SHORTREVIEWONHISTRILOGY: L’AVVENTURA (1960), LA NOTTE (1961), AND L’ECLISSE (1962). JCR. (2021), [cited July 03, 2021]; 8(2): 1629-1634. doi:10.31838/jcr.08.02.163



Harvard Style

GELAREH HAJMOUSA (2021) THE ARCHITECTUAL SOUL IN THE BODYOF MICHELANGELO ANTONIONI'S FILMS:SHORTREVIEWONHISTRILOGY: L’AVVENTURA (1960), LA NOTTE (1961), AND L’ECLISSE (1962). JCR, 8 (2), 1629-1634. doi:10.31838/jcr.08.02.163



Turabian Style

GELAREH HAJMOUSA. 2021. THE ARCHITECTUAL SOUL IN THE BODYOF MICHELANGELO ANTONIONI'S FILMS:SHORTREVIEWONHISTRILOGY: L’AVVENTURA (1960), LA NOTTE (1961), AND L’ECLISSE (1962). Journal of Critical Reviews, 8 (2), 1629-1634. doi:10.31838/jcr.08.02.163



Chicago Style

GELAREH HAJMOUSA. "THE ARCHITECTUAL SOUL IN THE BODYOF MICHELANGELO ANTONIONI'S FILMS:SHORTREVIEWONHISTRILOGY: L’AVVENTURA (1960), LA NOTTE (1961), AND L’ECLISSE (1962)." Journal of Critical Reviews 8 (2021), 1629-1634. doi:10.31838/jcr.08.02.163



MLA (The Modern Language Association) Style

GELAREH HAJMOUSA. "THE ARCHITECTUAL SOUL IN THE BODYOF MICHELANGELO ANTONIONI'S FILMS:SHORTREVIEWONHISTRILOGY: L’AVVENTURA (1960), LA NOTTE (1961), AND L’ECLISSE (1962)." Journal of Critical Reviews 8.2 (2021), 1629-1634. Print. doi:10.31838/jcr.08.02.163



APA (American Psychological Association) Style

GELAREH HAJMOUSA (2021) THE ARCHITECTUAL SOUL IN THE BODYOF MICHELANGELO ANTONIONI'S FILMS:SHORTREVIEWONHISTRILOGY: L’AVVENTURA (1960), LA NOTTE (1961), AND L’ECLISSE (1962). Journal of Critical Reviews, 8 (2), 1629-1634. doi:10.31838/jcr.08.02.163